This 'explosion' of 'disturbingly' realistic images could help normalize child sexual exploitation, lure more children into harm's way, and make it harder for law enforcement to find actual children being harmed, experts told the Post.įinding victims depicted in child sexual abuse materials is already a 'needle in a haystack problem,' Rebecca Portnoff, the director of data science at the nonprofit child-safety group Thorn, told the Post. But the rest of the music, on the whole, is catchy and involving.Child safety experts are growing increasingly powerless to stop thousands of 'AI-generated child sex images' from being easily and rapidly created, then shared across dark web pedophile forums, The Washington Post reported.

There’s been grumbling in some quarters about one of the songs, which is a reworking of the Pakistani megahit Pasoori here, the original’s melancholy beauty is ditched for a blander, more upbeat sound. This is a film bursting with colour and movement, with talky, dramatic sections ceding to epic dance sequences involving hundreds of impeccably turned-out performers. Sattu’s chances with her soon rise, however, when he gallantly saves her life and is promised her hand in marriage by her sinister father, for reasons that are slowly teased out. When he goes to a dance and sees the resplendent Katha (Kiara Advani) performing, he resolves to win her heart – only to discover that she has a flash boyfriend.

Set in Gujarat and directed by Sameer Vidwans, Kartik Aaryan plays Sattu, an unemployed loafer who spends his time moaning about his enduring virginity and doing the housework (badly) for his despairing parents.

There are strains of Richard Curtis and even Shakespeare in this charmingly cheesy Bollywood film about a thirtysomething manchild who falls for a woman way out of his league.

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